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Boston Review 2022 Writing Contests

saadithya by saadithya
March 10, 2022 - Updated On May 31, 2022
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Boston Review 2022 Writing Contests
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Boston Review is pleased to adopt a contest model shaped by social justice and accessibility concerns.

  • Contestants from the United States, Canada, and Western Europe pay an entry fee of $20, which helps subsidize the entry of contestants from outside of those countries, as well as those claiming hardship, all of whom pay nothing to enter our contests. Free entries and paid entries are read in the same way and given equal weight.
  • In addition, while a winner will be chosen in each genre, many more runners-up will have their work published, increasing the likelihood that entrants will have their work shared with Boston Review’s audience.
  • Finally, Boston Review commits to publishing an annual themed literary issue, and the contests share the issue’s theme. This offers contestants more transparency about what Boston Review’s editors are seeking in any given year. All contestants will receive a free copy of the issue.


In the next section you will find a description of this year’s theme for both contests, and then continue reading below that for genre-specific contest guidelines.


The Boston Review Annual Poetry Contest and the Aura Estrada Short Story Contest share the same theme this year:

Speculation

The world is always changing. But there are also inflection points in history when the world feels changed. Art can possess the prophetic quality to imagine where we are going. It is perhaps no surprise, then, that in a world-historical moment of global upheaval and transformation, speculative literature and other futurist arts are enjoying a renaissance.

As a creative faculty, speculation is Janus-faced, as likely to produce insight about the past as about the future.

The word itself invites thinking about how speculation has often driven the machinery of global politics. Speculation about the value of land and resources has fueled colonialism, empire, ideas of race and ethnicity, slavery and other exploitative labor systems, the booms and busts of commodities markets, and the ecological game of roulette that has left our planet teetering. Speculation continues to actively shape how and where we live through forces of displacement, gentrification, urbanization, and redevelopment.

But speculation can lead us to collectively imagine better futures, or better ways of understanding our past. Afrofuturism, for example, seeks to imagine a sustainable future for Black folks by first uncovering a workable past. Abolition, civil rights, and Black Lives Matter all speculate about a future free of racial violence, just as MeToo imagines one free of gendered violence.

In some of our most joyful private moments, we speculate about what will be delicious and pleasurable, about what notes will sound good played together on an instrument, about spirits and the afterlife, about what we wish a lover would say to us, about what aliens might be like if we ever met them. Such works of the speculative imagination are, thankfully, almost boundless, though we imagine them within the bounds of who we are and what we assume to be true about the world.

Speculation starts in the imagination but then goes out into the world with a variety of effects, not always predictable. Share with us your feats of imagining the past and future that help us better understand what it means to be present in the world. We welcome texts that deal with the roots, spaces, and impact of speculation. Tell us where speculation has gone wrong, and where it has triumphed. What roads have speculation led us to?

Awards:-

• Annual Poetry Contest
The winning author will receive $1,000 and have their work published in Boston Review’s special literary issue Speculation (February 2023).

• Aura Estrada Short Story Contest
The winning author will receive $1,000 and have their work published in Boston Review’s special literary issue Speculation (February 2023).

Deadline:- 31-05-2022

Entry Fees:-

There is an entry fee of US$20 for writers from the United States, Canada, and Western Europe.

Contestants outside U.S., Canada, Western Europe, and those experiencing hardship may enter free of charge.

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